African wooden carved sculptures
Ethnic African Ebony Bust Sculpture |
ETHNIC AFRICAN WOOD SCULPTURES
African art
stretches both geographically from the Saharan area to the lower part of Africa
at South Africa encompassing most of the continent. It generally stretches in
Africa as from below sub Saharan
Wood Carvings and whittled wood art here are for reasons not just for arts and crafts sake but for reasons ranging
from living usage to deep cultural and spiritual, to ritualistic events and initiation times.
These wooden
carvings and sculptures range from tokens, sculptured forms to are in the form for furniture, utility applications, or ceremonial
such as coming of age or funereal or even communing with the ancestors and spirit
world.
A great deal
of this wooden art is to do with whittling and wood carving of objects and sculptures.
In fact the most part of African art throughout the ages is to do with that of
carved wooden sculptures. Regionally speaking this is identified into four
roughly speaking
East African
This area is
not as well known generally, but probably for its unique wooden pole carvings
which contain animal or human figures and objects. These are subject wise about
death or funeral matters and are ritualistic in nature. In Kenya warriors are carved
by the Masai who are themselves warriors. There are also whittle and carve
family figures such as mother and child depicted
West African
West African
carvings are around an ideal of peace and serenity so the face figures are depicted
thus in the wooden carvings. The figures have elongated bodies incorporating
angular lines with cylindrical shaped limbs. Modern
Cubist artists such as Picasso have been influenced by this type of art. Also Matisse
in his paintings.
Central
African
These wooden
sculptures differ from the other regions in that the faces are heart shaped and
decorated with decoration of dot patterns over the surface. This influence has
been seen to reappear in Western art forms
In Cameroon
the Fang people have carved garden figures representing ancestors which stand
upright. This is to evoke respect and often communion to the ancestors. They
are left behind when the group migrates onward.
Southern
African
Generally this
area has not been so rich in whittling and wooden carving due to the low populated
areas and the migratory nature of the people. Carvings were confined to that of
utility for in and around the home and for weaponry such as spears, clubs, bows
and ornamentation.
Of late in
contemporary times this not the case and Southern Africa has become an area of
huge diversification drawn from all the cultures of Africa and richly added to.
The markets and Craft fairs are bulging with a massive range of whittled and
wooden carving too many to name. The volumes traded are huge